The Monster Under The Bed

This week I continued working on drawing perspective. Lately I’d been drawing rooms from the point of view of an observer facing the wall, and this time I wanted the observer to be looking at the angle of the room. It meant switching from one-point to two-point perspective, which I’m so glad I finally did, because it opens up so many new possibilities.

Since the monster under the bed only comes out at night, I also had to start thinking about light and shadows, something that’s on my creative to-do list. Spontaneously I’m drawn to bright colors and in my head this bedroom was full of bright painted furniture, colorful patterns on the bed linen, the wallpaper and the pictures on the wall.

But by moonlight? A black, gray and blue palette only? Tricky!

Here is some food for thought from my helpful twitter friends:

  • Debra sent me this article about painting night scenes.
  • Kristin recommended: “err on the light side, you can always go darker. Using a color opposite on the color wheel is a good way to darken hues.” (which I really need to explore, since I tend to always use black when I need to darken a color).

Conclusion: I definitely want to learn more about color theory. Do you have any tips or resources to recommend?

PS: Plenty of inspiring other interpretations of “heroic” over at Illustration Friday.

 

 

gloom

gloom-bymarion

Last week wrapped us in whiteness. Slightly milder temperatures last night left us with another monochromatic color palette. Here is my take on minimalist photography. November in north Scandinavia, dark version.